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Lydia Korneyevna Chukovskaya (: Ли?дия Корне?евна Чуко?вская, IPA:  ( ); 24 March [ 11 March] 1907 – February 8, 1996) was a
writer, poet, editor, publicist, memoirist and dissident. Her deeply personal writings reflect the human cost of Soviet totalitarianism, and she devoted much of her career to defending
and . She was herself the daughter of the celebrated children's writer , wife of the scientist , and close associate and chronicler of the poet .
Chukovskaya was born in 1907 in
(present-day Helsinki) in the , then a part of the . Her father was Korney Chukovsky, a poet who was a children's writer.
She grew up in , the former capital of the empire torn by war and revolution. Chukovsky noted that his daughter would muse on the problem of social justice while she was still a little girl. But Lydia's greatest passion was literature, especially poetry. Their house was frequently visited by leading literary figures, such as ,
and Akhmatova. The city was also home to the country's finest artists — Lydia saw
perform at the opera, for instance, and also met the painter .
Chukovskaya got into trouble with the
authorities at an early age, when one of her friends used her father's typewriter to print an anti-Bolshevik leaflet. She was exiled to the city of
for a short period, but the experience did not make her particularly political. Indeed, upon her return from exile, she returned to Leningrad's literary world, joining the state publishing house
in 1927 as an editor of children's books. Her mentor there was , perhaps her father's biggest rival in Russian children's literature. Her first literary work, a short story entitled Leningrad-Odessa, was published around this time, under the pseudonym "A. Uglov".
Chukovskaya fell in love with a young
origin, Matvei Bronstein, and the two soon married. In the late 1930s, 's
enveloped the land. Chukovskaya's employer Detgiz came under attack for being too "", and a number of its authors were arrested and executed. Matvei Bronstein also became one of Stalin's many victims. He was arrested in 1937 on a false charge and, unknown to his wife, was tried and executed in February 1938. Chukovskaya too would have been arrested, had she not been away from Leningrad at the time.
, Lydia's husband
For several years, her life was to remain nomadic and precarious. She was separated from her daughter Yelena, and kept in the dark about her husband's fate. In 1939-40, while she waited in vain for news, Chukovskaya wrote , a harrowing story about life during the . But it was a while before this story would achieve widespread recognition. Out of favour with the authorities, yet principled and uncompromising, Chukovskaya was unable to hold down any kind of steady employment. But gradually, she started to get published again: an introduction to the works of , another one for the diaries of .
By the time of Stalin's death in 1953, Chukovskaya had become a respected figure within the literary establishment, as one of the editors of the cultural monthly . During the late 1950s, Sofia Petrovna finally made its way through soviet literary circles, in manuscript form through .
set in, and the book was about to be published in 1963, but was stopped at the last moment for containing "ideological distortions". Indomitable as ever, Chukovskaya sued the publisher for full royalties and won. The book was eventually published in
in 1965, but without the author's permission and under the somewhat inaccurate title The Deserted House. There were also some unauthorized alterations to the text. The following year, a
publisher published it again, this time with the original title and text restored.
Chukovskaya was a lifelong friend of Anna Akhmatova, and her next major work Spusk pod Vodu (Descent Into Water) described, in diary form, the precarious experiences of Akhmatova and . This book too was banned from publication in her native land. In 1964, Chukovskaya spoke out against the perse she would do so again for Solzhenitsyn and Andrei Sakharov. She wrote a series of letters in support of S these were published in
In supporting Soviet dissidents, Chukovskaya lost her own right to publish inside USSR. Although the
monitored her closely, it is thought that the Soviet state refrained from meting out harsher punishment, because of her reputation in the West but also because of her father’s indisputable stature in Soviet culture.
Her relationship with Akhmatova was the subject of two more books. Throughout her life, Chukovskaya also wrote poems of an intensely personal nature, touching upon her life, her lost husband, and the tragedy of her people.
In her old age, she shared her time between Moscow and her father’s dacha in , a village that was the home to many writers including . She died in Peredelkino in February 1996.
Sofia Petrovna became legally available for Soviet readers only in February 1988 when it was published in the magazine Neva. This publication made possible publications of the other Lydia Chukovskaya’s works as Chukovskaya explicitly forbade any publications of her fiction in the Soviet Union before an official publication of Sofia Petrovna .
The deserted house Translated by Aline B. Werth. (1967)
Going under Translated by Peter M. Weston. (1972)  
To the memory of childhood Translated by Eliza Kellogg Klose. (1988)  
Sofia Petrovna Translated by Aline W emended by Eliza Kellogg Klose. (1994)  
The Akhmatova journals Translated by Milena Michalski and Sylva R poetry translated by Peter Norman. (1994)  
1990, the first recipient of the .
, , October 31, 1990
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