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56秀场李公子图片 李公子自拍照片 李公子qq号码是多少？
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李公子的秀场网址：
类似YY的一个秀场节目，56秀场李公子大美女照片
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伟大的赞助商Making Love to WebKit
Parallax, GPUs and Technofetishism
If the world is going to end in 2012, Acko.net will at least go out in style: I've redesigned. Those of you reading through RSS readers will want to
in a WebKit-browser like Chrome, Safari or even an iPad.
The last design was meant to feel spacious, the new design is spacious, thanks to generous use of CSS 3D transforms.
CSS 3D vs. WebGL
This idea started with an accidental discovery: if you put a CSS perspective on a scrollable &DIV&, then 3D elements inside that &DIV& will retain their perspective while you scroll. This results in smooth, native parallax effects, and makes objects jump out of the page, particularly when using an analog input device with inertial scrolling.
This raises the obvious question: how far can you take it? Of course, this only works on WebKit browsers, who currently have the only CSS 3D implementation out of beta, so it's not a viable strategy by itself yet. IE10 and Firefox will be the next browsers to offer it. There's WebGL in Chrome and Firefox that can be used to do similar things, but WebGL is its own sandbox: you can't put DOM elements in there, or use native interaction. And any amount of WebGL rendering in response to e.g. scrolling is going to involve some amount of lag. Still, I wasn't going put a lot of effort into making a CSS 3D-only design without some backup.
That's why I actually built the whole thing on top of , mrdoob's excellent JavaScript 3D engine. Aside from providing a comprehensive standard library for 3D manipulation, it also lets you swap out the rendering component. Out of the box, it can render to a 2D canvas, a WebGL canvas, or SVG.
The DOM Scenegraph
So I augmented it with a CSS 3D renderer (). It reads out the scene and renders each object using DOM elements, shaped and transformed into the right 3D position, orientation and appearance. They sit ‘in’ the page, and the browser projects and composits them for you. Of course, this only works for simple geometric shapes like lines or rectangles, but luckily that's all I need.
It would be too slow to have to render out new elements for every frame, so the CSS 3D renderer's elements persist. Moving or rotating an object involves just changing a CSS property. Same for the camera: the entire scene is wrapped in a &DIV& that has its own 3D transform.
So it's VRML all over again, but this time, it actually sort of performs. With our browsers being actual 3D engines, it's not a huge leap from here to having a &MESH& tag in HTML6, can-of-worms-factor not withstanding.
Having built a quick prototype, I was satisfied with how well it worked, particularly in Safari on OS X, where the cross-pollination from the iPhone's mature tile-based GPU renderer has clearly paid off and there is no lag at all.
The DOM tree of this page. Yup, nasty.
Previous design ()
Initial sketch
Scene editor
Design Process
Now all that was needed was a design. Last time I drew out a manual perspective drawing in Illustrator, which was tedious, but still basically came down to designing a flat image. This time, it would have to work in 3D. I started with a quick sketch to get a feel for the perspective, now that it no longer needed to double as a flat frame for the site's content.
Simple geometric shapes, parallel lines, consistent angles. Simple enough. But if real perspective was involved, I would have to place items so they would look good from multiple angles, and each would need convincing depth and shading. To do this all by hand, typing out coordinates and perpetually refreshing the page, would take forever.
So instead I built a simple editor to speed up the process. It's super ghetto, and basically just exists to manipulate the colors, positions and orientations of objects in a Three.js scene. It spits out a JSON object describing them, which can then be unserialized again into a scene.
This also helped maintain a consistent palette. The colors are built from a few base tints, brightened or darked in linear RGB—i.e. before gamma correction. This ensures even tones and allowed for easy color adjustments.
The editor is almost entirely keyboard operated, but with its minimum amount of features I was at least able to place items in 3D, copy/paste objects and see it from any angle or position I wanted. To 'save', I just copied the output into a .JS file, where I could make manual tweaks too if necessary.
As for the actual site and content, I wanted to keep it much more sober. Like many others these days, I want to treat blogging more like publishing. That way I can focus on crafting each post more like an article with illustrations and asides rather than just a text blog.
Hence, while there's a big party upstairs, it's all
down below. The font of choice is , a humanist/geometric sans-serif with just the right kind of “Dutch Art Museum Signage” meets “Cyberpunk” I was looking for. The layout is a responsive multi-column grid that collapses down for smaller screens and devices. Finally, a strict vertical rhythm is enforced in the lines to keep everything nice and tidy.
Click+Drag — Orbit camera
Enter — New object
Space — Clone object
Backspace — Delete object
Tab / Shift+TabCycle through objects
WASD& QEMove object
Shift+WASD & QEResize object
Ctrl+WASD & QEMove camera
[] — Lower/raise units
ZXOrbit distance
T/T/UTag/untag/untag all
She cannae take the power cap'n!
307 objects later it was finished, and not a single image was used. Unfortunately, as you can see there are tons of glitches in the editor—though some objects only have one side by design, and it works a lot better in a separate window. CSS 3D was never meant to do this, and you often see incorrect depth layering and flickering. Luckily most of these are caused by the floating grid markers and aren't a problem in the final view. The rest was resolved by splitting up objects or dual layering problematic surfaces, but some minor problems remain. Also for some reason, the background &DIV&'s click areas extend beyond their visible area, causing some click layering issues that I had to work around. Text resizing in the browser also leads to breakage, though multi-touch zoom works in Safari.
Performance in Safari is wonderfully smooth too, but Chrome OS X starts to lag a bit. Luckily the effects are turned off as soon as they go off screen, so any lag should be confined to the top of the page. Finally, there's also a random bug where sometimes the page will refuse to scroll if the mouse is over a 3D object, which is unfortunate, but also near-impossible to reproduce reliably.
In theory the iPad would perform second, but it has its own issues. The use of page-in-page scrolling disables inertia, but this is entirely beyond my control. The other issue is that sometimes, the iPad will decide to render the page content at lower resolution, making it hard to read. I guess the CSS wizardry confuses its GPU texture management. A refresh usually fixes this.
I also discovered some funny ways of abusing CSS 3D for weird effects. If you have a WebKit browser, scroll to the top and enter the Konami code for an impressionistic version of the same thing.
I guess I'm now the proud owner of the first unofficial CSS 3D ‘ACID’ test. I'm eager to see how the next browser handles it. If it ends up being a silly idea in the long run, I can always just switch the output to WebGL, but for now I'm willing to run with it. I put in a universal CSS 3D detector and prefixes for all the major browsers.
For non-CSS 3D browsers, I simply rendered the header into a static image. It's not as fun without the shifting perspective, but it adds its own kind of optical illusion as you scroll down.
Putting it all together
To power the site, I got rid of Drupal and replaced it with the nimble . Hat tip to , who did the same thing just a few days earlier and put all the code on GitHub to learn from.
I've been really impressed with Jekyll's simple workflow, and though it's all static HTML, it's a refreshing change of pace. And thanks to client-side JS, it doesn't preclude adding interactive elements at all. I can treat my site as just a database of documents retrievable over HTTP, and wrap the logic around that.
So I created a nice client-side navigator that transitions between pages, using 2D transforms, which also work on Firefox. It uses the HTML5 pushState API and replaces regular links with AJAX requests. Aside from being a faster way to navigate around, it also lets me link up multiple articles in a series elegantly. When you go back to a previous screen, it literally presses the browser's back button, thus avoiding creating a long, useless history trail. You go back exactly the way you came, scrolling back to where you were, just like the real back/forward buttons do. For example, click over to my
series of posts. You can come back right away.
I didn't use any libraries or router frameworks for this, simply because I wanted to have done it all myself at least once. As it now says on my , quoting Feynman: "What I cannot create, I do not understand". The only way to grok the intricacies of something like browser history state, which we all use every day, is to dive in and replicate it. Otherwise, you'll just take carefully choreographed behavior for granted and your mental model will be incomplete.
To keep code size down, I compiled a custom build of Three.js with only the parts I need. I also used YUI compressor to minify the CSS and JS. However, I don't mean to obfuscate the code: the important bits will make their way onto Github soon enough.
Update: The CSS 3D renderer and editor are now .
I migrated over most of the content and did some house cleaning while I was at it. Most things should be back, but further fixes will be made. I also haven't implemented any commenting solution so far, but I'll be adding it back somehow as soon as I figure something out. In the mean time, there's .
The final result looks like something that would perhaps once unironically be labeled The Information Superhighway in a magazine from the 90s, though with less neon green. I like it.
January 09, 2012
This article contains graphics made with WebGL, which your browser does not seem to support.新浪秀场现公布官方人员的工作号码，QQ号及管理区域!
发表时间： 18:05:42
新浪秀场现公布官方人员的工作号码，QQ号及管理区域!
&&& 新浪秀场聊天室针对部分色情视频平台及一些网络骗子的诈骗行为,现公布新浪秀场官方人员的工作号码,QQ群,及QQ号!所有用户请认真观看,并且认清真伪。&新浪秀场官方人员工作号码：&感谢广大用户对新浪秀场长期以来的大力支持，近日随着用户使用新浪秀场聊天室的热情不断提高，有部分色情视频平台及一些网络骗子，使用一些类似于新浪秀场管理号的QQ及QQ群进行诈骗及误导用户,导致发生多起投诉事件。针对此类情况，公司提醒大家注意保护好自己的安全意识。感谢对新浪秀场的支持，现在特将新浪秀场官方人员工作号码,及QQ号公布如下：&官方指定运营管理号码：&90582用户名(运营飞枪)&90999用户名(运营花田错)90601用户名(运营郎中)90602用户名(运营三毛)90603用户名(运营小雨)90604用户名(运营小呆)90605用户名(运营小峰)90606用户名(运营狼幻)90607用户名(运营小吹)&&&官方指定技术号码：<FONT color=#ff用户名(我是男人)&用户名(一生何解)&90068用户名(BOBO就是我)&以下是官方工作人员所管理的区域&& 运营花田错负责聊天室整体工作，运营人员投诉，家族团队的沟通工作，主播以及用户的投诉问题，如果有主播以及家族愿意加入我们聊天室，也可以联系他沟通处理.&& 运营飞枪负责聊天室整体运营工作,房间管理,主播管理&&&运营郎中负责主播货币兑换,同时用户出现问题，也可以找他进行处理。&&& 运营三毛,运营小雨,运营小呆,运营狼幻,负责外联以及引进工作，如果在这里玩的用户，可以引进其他站点的朋友以及家族来这里玩的都可以联系他。&&&运营小峰,运营小吹负责站内招聘,房间巡查,平时房间出现问题可以联系他们&& 钱少负责销售方面的工作，代理充值出现问题可以联系他进行投诉处理。&官方指定QQ号码：&&&运营飞枪QQ:&运营郎中QQ: &&运营三毛QQ：&代理负责人钱少QQ:&请大家尽快删除或退出非本公司官方人员的QQ号.否则由此产生的一切后果,请自负!谢谢大家的配合!&日&新浪秀场聊天室管理部------------------被web9-7-27 18:36:45修改了
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