pg1和欧文3对比评测和TT是不是一届

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24记三分射穿勇士!JR:归功于詹皇欧文TT的出色传球
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公司座机号:(010)【图片】自我否定!放弃5小,抛弃3分,詹姆斯再次夺冠之路为何如此艰难?【九莲山吧】_百度贴吧
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自我否定!放弃5小,抛弃3分,詹姆斯再次夺冠之路为何如此艰难?收藏
今天早些时候,主帅泰伦卢对媒体确认:骑士将在第六场比赛对首发阵容做出第三次调整。克劳德被拿下,TT稳定首发。泰伦卢对此的解释是,TT首发,可以给其他队友掩护,拉开空间。克劳德替补,可以节省乐福的体力。我们来看看这三次变阵。前三场的首发:罗斯+韦德+詹姆斯+克劳德+乐福输给魔术后,变阵:詹姆斯+JR+克劳德+乐福+TT输给蓝网后,变阵:罗斯+JR+詹姆斯+乐福+TT不知道大家看到这个最新阵容是什么感觉,有没有觉得非常熟悉?对!这不就是上赛季的首发阵容吗?只是把欧文变成了罗斯!现在这个阵容,真的比上赛季强了?罗斯能力比欧文强?我看差的不是一点半点。特别是在詹姆斯的身边,罗斯没有三分,和欧文比起来更是天壤之别。上赛季的阵容尚且打不过勇士,而且没有看到赢的希望,这个阵容能和勇士干一波?罗斯进攻胜过欧文还是防守比欧文好?这次变阵透露了一个信号,骑士不断在自我否定,准备彻底放弃5小,但目前来看,短期内也几乎放弃了3分。首发中,罗斯和TT肯定没有三分。詹姆斯是战术发起点,传出去的三分只能给JR和乐福投。JR现在三分命中率多少?百分之12。乐福呢?乐福的三分完全靠天吃饭!或许我们只能期待小托马斯尽快复出,这样小托马斯替代欧文首发,骑士才有了3分和拉开空间的能力。但是小托马斯和JR的后场根本就不要指望什么防守了。骑士可以依赖的还有他们的替补。现在他们替补阵容可以派出:韦德+科沃尔+克劳德+杰夫格林+弗莱这个替补看起来很美如画啊,韦德持球,四个三分手,防守差了点,但是也有韦德和克劳德这样的防守大闸,对付对面第二阵容应该绰绰有余。只是不知道科沃尔和韦德一起,能得到快速投篮的机会吗?毕竟韦德的传球和詹姆斯比还是差很多。或许,把科沃尔放到首发,让JR来搭配这个第二阵容会不会更好呢?可惜JR根本不愿打替补,说这些也没用。本赛季来了这么多曾经的明星球员,变来变去却发现,首发阵容还不如上个赛季,防守也没有得到任何提升,确实很讽刺,看来詹姆斯想为克里夫兰带来第二座冠军奖杯,还是要经过千难万险。
登录百度帐号推荐应用全力詹开启都没用!骑士四连败,詹姆斯首次想念欧文
凯里今年选择离开,离开,自己一个人去凯尔特人当老大。之后骑士的战绩就大跌眼镜了,没有了欧文这个点的输出,骑士现在已经四连败了,说什么联盟第一,在这样下去就联盟倒数第一了。今天的比赛詹姆斯贡献了所有,开启全力詹模式,全场砍下33分11个助攻。虽然詹姆斯开启全力詹模式,但是还是一个人无法带动全队,更何况还有一个不如自己的总教练,最终107比124大比分惨败。每次泰伦卢布置战术,詹姆斯都是一脸茫然,能赢球才怪,泰伦卢应该会是今年第一个下课的主教练。但是今天对其实来讲有个”好消息“,就是TT汤普森在比赛中受伤了。仁者见仁智者见智!受伤本来是坏消息的,但是现在的TT汤普森,不上场肯定比上场好很多,TT汤普森终于可以回家抱老婆了。不会整天身在球场心在酒店,TT汤普森自从被卡戴珊勾引上之后,状态一直下滑,数据更是少得可怜。现在受伤了,骑士随便换一个人都比他强多了。赛后詹姆斯面对采访更是一脸的迷茫,老詹都要哭出来了。他强调到,球队输球自己也很无奈,表示自己已经尽全力了(全世界球迷都看出来了)!然后暗示欧文出走之后,球队没人能够填补这个得分点,是很大的问题。希望有人能站出来,不然球队很难赢球。
体育前列线
颜小白的篮球梦
篮球达人说
舌尖上的篮球
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南安北乱说个球
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6秒后自动进入首页【赛后采访】欧文谈首秀开场6中1需尽快找回状态|乐视美女记者火辣提问采访TT_虎扑
骑士专区优质内容作者
G25赛后采访视频 (切换右下角清晰度超清观看)
采访欧文:复出感觉很棒 我得尽快找回状态& &乐视采访TT:只关心赢球不在乎外界质疑 @
手机平板观看视频地址:
tt还行吧骑士内线有他真好
我只是来看看
期待tt打脸哦
引用1楼 @ 发表的
TT显然不想在听到有关他合同的事情了。
我觉得还是我们的记者不够专业。
首先自身的位置就不明确,记者是连接球迷跟专业领域的桥梁,问的问题要有立场,就像说tt合同不值这个问题,你先要说清楚是代表谁而问的,代表球迷跟代表专业内的人是不同性质的,但你不讲的话,人家就要当成最坏的情况来回答,以为你是从哪个专业人士口中听到的这个说法那。记者还当那是cba那,以为女的就可以随便问,人家也会跟你开玩笑一样的回答--用幽默的方式!你想人家会怎么回答你?
再者,在之前雷霆的比赛里tt刚打出那场mvp级的表现,这个时候问这种问题,时机也不对嘛,至少要等人家打得烂的时候再问嘛。
另外,记者也太业余了,无论是问布拉特的问题,还是询问tt的问题都太球迷心态了,还是要带着篮球专业领域的心态才好,如果真的想问球迷争论的问题,那么至少在问之前要在前面加上球迷俩字……这样至少能得到一个nice的态度,因为球迷是球员打球的重要因素,而记者?球员对你们防御心理多得很呐。
引用24楼 @ 发表的
我觉得还是我们的记者不够专业。
首先自身的位置就不明确,记者是连接球迷跟专业领域的桥梁,问的问题要有立场,就像说tt合同不值这个问题,你先要说清楚是代表谁而问的,代表球迷跟代表专业内的人是不同性质的,但你不讲的话,人家就要当成最坏的情况来回答,以为你是从哪个专业人士口中听到的这个说法那。...
我觉得还是我们的记者不够专业。
首先自身的位置就不明确,记者是连接球迷跟专业领域的桥梁,问的问题要有立场,就像说tt合同不值这个问题,你先要说清楚是代表谁而问的,代表球迷跟代表专业内的人是不同性质的,但你不讲的话,人家就要当成最坏的情况来回答,以为你是从哪个专业人士口中听到的这个说法那。记者还当那是cba那,以为女的就可以随便问,人家也会跟你开玩笑一样的回答--用幽默的方式!你想人家会怎么回答你?
再者,在之前雷霆的比赛里tt刚打出那场mvp级的表现,这个时候问这种问题,时机也不对嘛,至少要等人家打得烂的时候再问嘛。
另外,记者也太业余了,无论是问布拉特的问题,还是询问tt的问题都太球迷心态了,还是要带着篮球专业领域的心态才好,如果真的想问球迷争论的问题,那么至少在问之前要在前面加上球迷俩字……这样至少能得到一个nice的态度,因为球迷是球员打球的重要因素,而记者?球员对你们防御心理多得很呐。
啊。。。谢谢指教。。。
我会努力变的不那么业余的。。。
骑士专区优质内容作者
都很努力,很喜欢
引用25楼 @ 发表的
啊。。。谢谢指教。。。
我会努力变的不那么业余的。。。
那问题是你问的???
引用27楼 @ 发表的
那问题是你问的???
是啊。。。估计也只有我这种不懂事的人才会问这些吧。不过今天已经去给他道歉了~ T-T 当然他如我预期,说,"No, you are good." 这事儿算是告一段落了,嘿嘿。
采访欧文的那个女记者都跟欧文差不多高了,起码185吧?!
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King Arthur&()
A demystified take on the tale of King Arthur and the Knights of the Round Table.
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reveals the inspiration for
and his love of awesomely bad movies.
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4 wins & 8 nominations.
Balian of Ibelin travels to Jerusalem during the crusades of the 12th century, and there he finds himself as the defender of the city and its people.
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Alexander, the King of Macedonia and one of the greatest army leaders in the history of warfare, conquers much of the known world.
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Anthony Hopkins,
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An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle.
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Billy Connolly
Peaceful farmer Benjamin Martin is driven to lead the Colonial Militia during the American Revolution when a sadistic British officer murders his son.
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An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.
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Brad Pitt,
Eric Bana,
Orlando Bloom
In Roman-ruled Britain, a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem.
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Jamie Bell,
Donald Sutherland
Cast overview, first billed only:
Based on a more realistic portrayal of "Arthur" than has ever been presented onscreen. The film will focus on the history and politics of the period during which Arthur ruled -- when the Roman empire collapsed and skirmishes over power broke out in outlying countries -- as opposed to the mystical elements of the tale on which past Arthur films have focused.
Written by
Plot Keywords:
Rule Your Fate
Motion Picture Rating
Rated PG-13 for intense battle sequences, a scene of sensuality and some language
Parents Guide:
Release Date: 7 July 2004 (USA)
Also Known As: El rey Arturo
Filming Locations:
Budget:$120,000,000
(estimated)
Opening Weekend USA: $15,193,907,
11 July 2004, Wide Release
Gross USA: $51,882,244, 21 December 2004
Cumulative Worldwide Gross: $203,567,857, 31 May 2012
Production Co:
Show more on
(director's cut)
Sound Mix:
(5.1)&(L-R)
Aspect Ratio: 2.39 : 1
Did You Know?
reportedly nearly killed a horse while practicing her archery for the film.
The swords are from well after the setting of the movie. Roman troops would have been equipped with the spatha. The swords are a medieval design which did not appear until at least six hundred years after the time setting. The other hand weapons of the &knights& are equally incorrect.
[first lines]
[voiceover]
By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day, the only Sarmatian soldiers left alive were members of the decimated but legendary cavalry. The Romans, impressed by their bravery and horsemanship, spared their lives. In exchange, these ...
Crazy Credits
There are no opening credits, not even the production company and studio bumpers, only the title.
Connections
Version of &(1995)
Soundtracks
Song of the Exile
Lyrics and Arrangement by Caitlin Matthews
Frequently Asked Questions
(Spoiler Alert!)&&
User Reviews
It's all about atmosphere
Jerry Bruckheimer's KING ARTHUR is a shining example of that new breed
of mythology adaption. It is similar to Wolfgang Petersen's TROY, in
that it dispenses with the supernatural splendour and phantasmagorical
intrigue characteristic of traditional tales, and presents the story as
(relatively) realistic historical fiction, attempting to convey the
&magic& of the story through drama, rather than gaudy special effects.This is a brave venture by Bruckheimer - and director Fuqua- and they
are to be commended for executing it with such style and creativity as
is displayed in this film. It has, however, enjoyed somewhat limited
success, due to the fact that it presents such a radical interpretation
of a story much closer to our hearts than that of the Illiad.I believe, though, that if the viewer simply opens one's mind and
attempts to enjoy the story purely for the sake of itself (forgetting,
for the moment, Rosemary Sutcliff and Barbara Leonie Picard), KING
ARTHUR will reveal itself as a truly fine piece of film-making.More than anything else, Fuqua masterfully portrays the atmosphere of
the tale, endowing it with a sense of time and place far more eloquent
than the rather run-of-the-mill dialogue. The entire experience oozes
the ambiance of the early common era, from windswept downs and hills to
rugged coasts and snow- from the spartan order of a
Roman camp to the hellish confines of a torture chamber. Exemplars of
this perfectly-presented atmosphere are Arthur's knights(Ioan Gruffud,
Ray Winstone, Joel Edgerton, Mads Mikkelsen, Hugh Dancy and Ray
Stevenson).These are not the chivalrous, couth, pious Christian knights
your mum told you about, but rather a troop of barbaric, lecherous,
pagan Sarmatian mercenaries. Together (with excellent performances all
round, particularly by Winstone, Gruffud and Edgerton) they epitomise
the pragmatic, godless, exquisitely human atmosphere of the period. As
Gawaine tells a cowering Roman friar in an early scene - &Your God
doesn't live here&.The lead actors, too, are outstanding, from Stellan Skarsgaard's
sociopathic Cerdic, to the delicious Keira Knightley's dark and
beautiful Guinevere. Only Clive Owen disappoints as Arthur himself,
lacking the emotion this characterisation requires to supplement his
steely resolve.Despite the lukewarm reception to which it was subjected, KING ARTHUR
is a finely crafted and memorable item of film-making. Forget all your
preconceptions about King Arthur - just float with it, and let the rich
atmosphere engulf you. 9/10.
241 of 386 people found this review helpful.&
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